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Will in the World: How Shakespeare Became Shakespeare

Stephen Greenblatt

Paperback | Pages: 438 pages

Rating: 3.94 | 7720 Users | 721 Reviews

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Original Title:	Will in the World: How Shakespeare Became Shakespeare
ISBN:	0393352609 (ISBN13: 9780393352603)
Characters:	William Shakespeare
Setting:	United Kingdom
Literary Awards:	Pittsburgh Post-Gazette, National Book Award Finalist for Nonfiction (2004)

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A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.

List Containing Books Will in the World: How Shakespeare Became Shakespeare

Title	:	Will in the World: How Shakespeare Became Shakespeare
Author	:	Stephen Greenblatt
Book Format	:	Paperback
Book Edition	:	Anniversary Edition
Pages	:	Pages: 438 pages
Published	:	April 4th 2016 by W. W. Norton Company (first published 2004)
Categories	:	Biography. Nonfiction. History

Rating Containing Books Will in the World: How Shakespeare Became Shakespeare

Ratings: 3.94 From 7720 Users | 721 Reviews

Appraise Containing Books Will in the World: How Shakespeare Became Shakespeare

"If Shakespeare wore shoes--and we have reason to suppose he did--he might have worn some like the ones in this picture." I'm paraphrasing, but not by much. This is Greenblatt's own special brand of persiflage that drove Germaine Greer to write her excellent Shakespeare's Wife, so I guess this book was good for something. Read Greer instead. On her way to responsible speculation about the character of Anne Hathaway, traditionally assumed to have been a millstone around her husband's neck--on no

Dr. Greenblatt is an excellent lecturer and by far the leading expert on Shakespeare. In video and in person, he is easy to follow and fascinating. Unfortunately, it is not quite as easy to follow on paper as he becomes much more circular in thought. I would have much more enjoyed this book if it were told in chronological order. However, it was still very interesting!

I think the theory of Shakespeare that he's espousing is a little far fetched. I'm just going to put it out there. The way he gets from argument to argument is 'well, this probably didn't happen... but what if it /did/.... then this would be true...' and then he'll go on to spout some more historical facts that would then fall into place of that was true. So, as an academic argument? I don't find this book particularly strong.However. There is a lot of information here about the life of

Ever since I read Will in the World by Stephen Greenblatt last February, I've become fascinated with the mysterious, brilliant William Shakespeare, aka Will, and impressed by how masterfully Greenblatt lays out his worldand ours too. I couldnt put the book down. The thing is, I was learning so much about myself, how to be a writer in my world. You might think that a book about the most famous, most overwhelmingly popular writer in the English language would be trite, repetitious or full of

To understand who Shakespeare was, it is important to follow the verbal traces he left behind back into the life he lived and into the world to which he was so open. And to understand how Shakespeare used his imagination to transform his life into his art, it is important to use our own imagination. There is no doubt he is an enigma, a man who quite possibly has had the greatest influence on the English language, and yet, strangely enough left very little personal correspondence behind. It does

As any fule kno, 'twas Ben Jonson who famously said of his friend Mr William Shakespeare that he was "not of an age but for all time". Which bon mot is trotted out regularly, not least by yours truly when guiding German high school students through the vagaries of Macbeth: after all, you have to try to persuade them that the fate of an eleventh century Scottish king could, possibly, have some relevance to a twenty first century audience. So what do you do? Well, you emphasise the universal, of

Part fact, part literary criticism, part speculation, part hypothetical historical novel. This is inevitable for Shakespeare biography, because the facts we have are extremely tenuous: some mentions in legal documents, a few things written about him by contemporaries, others written many years after his death, his disappointingly dry will, and of course: his works. Poems and plays where his presence is constantly felt, but never truly glimsped. Even in the sonnets, the tone is personal, a soul